李海旺的油画作品分析

李海旺的油画作品分析

李海旺的油画作品分析

时间:2009-07-17 16:57:05 来源:

评论 >李海旺的油画作品分析

邹跃进
 
对于许多中国油画家来说,最为困惑的问题是在艺术创作中,既要在油画语言上保持西方油画的味道与感觉,又要使其具有中国的文化感和身份感。平心而论,这是一个两难的困境。从中国油画发展史看,由于民族文化身份的重要性,油画家们提供了众多解决这一难题的方案,其中的一种方案就是用油画来画中国传统绘画中喜欢描绘的题材,如山水和花鸟。在这种方案中,也有两种不同的方式:一种是用油画创作中国画,画面给人的感觉就像中国传统中的山水画和花鸟画;还有一种是画的题材虽然也是山水或花卉,但是艺术家们还是尊重油画语言的特点,希望通过这种方式在西方的油画和中国的传统文化之间寻找的一个结合点。李海旺现在所走的油画道路在总体上属于后一种。不过在我看来,他在此领域的探索有许多超越前人的地方,这主要表现在如下几方面:首先在中国当代油画中,油画的本土化以自然景观为主,而李海旺则选择了荷花这一极句哟中国传统文化意味的对象;其次,虽然李海旺画的是荷花,但他又并不是从传统花鸟艺术的角度来看待荷花的,而是从山水的角度来对待荷花的。《天籁》的命名表明李海旺视荷花为天地之间的存在物,这样,在《天籁》系列作品中,荷花在传统花鸟画中的含义,如“出淤泥而不染”及其人格化的象征倾向则被消解了。
 
由于李海旺是从山水的角度描绘荷花的,所以,他特别重视时间、季节和气候在艺术作品中的作用。在《天籁》系列作品中,有一幅作品被作者描绘了与菏塘月色完全相反的景色:菏塘中几枝枯败的莲荷,与映照在塘中布满晚霞的天空,形成了强烈的对比;荷花就像在云彩中生长出来,向我们展示了一个无限深远的空间。燃烧的红色天空与菏塘的水一体一色,不仅表达了特定的时间,也表达了天地相互依存的依赖关系。值得注意的是,在这幅作品中,作者用一个小菏塘就呈现了大自然壮丽的景色和崇高的审美特征,显然与李海旺采用了中国传统园林中“以小观大”的创作方法有关系。只有在李海旺的作品中,“大”与“小”的关系,不是一种认为创造的结果,而是艺术家对生活的敏锐观察与对自然的深入体验获得的。这种体悟和表达天地合一,万物一体的艺术方法,几乎贯穿在李海旺的《天籁》系列的所有的作品之中。如在另一幅也是描绘黄昏时分的菏塘景色的作品中,李海旺在菏塘中不仅把天空的壮丽印在菏塘里面,而且把太阳在水中的形象也描绘在画面中一个接近中心的位置上,太阳的金黄色,与近乎黑色的荷叶,构成了一幅与中国传统山水接近的水墨写意画。从某种意义上说,李海旺的《天籁》系列作品所创造的艺术境界,既超越了描绘荷花的花鸟画范畴,也突破了西方油画视自然为风景的局限,而与中国传统山水艺术的精神更吻合。我想这与李海旺把荷花与生长它的大地联系起来描绘有关系;与他舍弃了荷花的细节,只注重对象的有机的结构和色彩的单纯对比有关系(如大量的黑色的运用);也与他只考虑光色的季节和几何化的风景构造,也不同于印象派只重光源色的自然主义倾向而获得了与中国传统文化相通的审美价值。当然,李海旺很清楚的一点是他的《天籁》系列作品是油画,而不是水墨,所以,在《天籁》系列作品中,李海旺那纯粹而又地道的油画语言,仍然散发出审美的魅力。
 
最后我想顺便提及的是李海旺这次创作的几幅女人体作品,也具有独特的艺术特点。在这些作品中,丰硕的女人身体,写意似的表达方式,不拘一格的空间处理,都表明李海旺在不断研究中西文化差异以及调和的可能性的基础上所取得的艺术成就
 
Haiwang Li's Oil paintings analysis
Yuejin Zou
 
For many Chinese oil painters, the most perplexing problems in art is you have to keep the language in the western oil painting and the flavor of feeling . but it is not enough. A sense of Chinese culture and sense of identity is equally important . In all fairness, this is a dilemma. From the history of the development of Chinese oil paintings, because of the importance of cultural identity. The oil painters offer a wide range of the solution to this problem, one is to use oil painting to paint traditional Chinese painting depicting themes such as birds, flowers and landscapes. In this solution, there are two different ways : One scheme is using oil paintings to paint Chinese paintings, picture gives the impression that as the landscape and traditional Chinese painting; the other one is different, Although it is still the subject of the painting landscapes or flowers, but artists respect the language features of oil painting , they hope to find a meeting point between cultures in the traditional Chinese and Western painting in this way.  Haiwang Li is belong to the latter. But in my view, he made many attempts in this area beyond our predecessors, it is mainly seen in the following aspects : First, in the area of contemporary Chinese painting, oil painting mainly localized to the natural landscape. Haiwang chose the lotus such a theme with very traditional Chinese culture means ; Second, although the picture is Lotus , But he described lotus not from the point of view of traditional flower-bird arts , but from the perspective of the landscape. Haiwang named the "the sounds of nature" indicated his point of the existence of a lotus in nature. so in the " the sounds of nature " series, the lotus in the traditional meaning of flower-bird paintings, such as "outer dirty; inner purity" the symbol and personification of the trend were digested.
 
Since Haiwang is painted flowers from the perspective of landscape, so he pay more attention in the role of time ,Season and climate in his work. opposite view with "Lotus pond moonlight"  : only some dry and Wilt Lotus in the pond, which forming a strong correlation with the sky full of sunset rosy clouds reflected in the pond ; Growing flowers like the rosy cloud that has given us a profound unlimited space. In " the sounds of nature " Series , the painting was painted with completely burning red sky and excitedly pond water is one of integration, not only to express a particular time, but interdependent relationship between sky and earth. It is worth noting that the works, Haiwang Li used a small pond reflects the beauty and noble nature of the aesthetic features,  apparently related to the use of traditional Chinese garden, "Small reflected great " creative ways. Haiwang Li's works that is not to reflected the "great" with "small" Deliberately,  but artist's keen observation of nature and the experience. This sort of integration and expression of space, the integration of all things artistic,  almost throughout the " the sounds of nature " series . This is also depicted in another landscape works dusk Lotus pond , Haiwang Li not only reflected the magnificent sky in the lotus pond. He also described the image of sun in the water close to the center, golden yellow sun and black leaves creates a picture of the traditional Chinese landscape painting : impressionistic painting. To some extent, Li created the " the sounds of nature " series of works of art realm. it transcend the flower-bird drawing and even surpassed the scope of Western painting as the natural scenic limitations. in fact,it coincided more with the spirit of traditional Chinese landscape. I think Haiwang regarded the land of the lotus and itself; He abandoned the details of lotus and focused on the object-oriented structure and only organic color contrast (such as the use of a lot of black); He considered only Light color with the seasons and the geometric structure of the landscape. It's different from the only source style and the natural tendency of Impressionism . It has more spirits with the traditional Chinese culture and the aesthetic value. Of course, Li is very clear that the series of works he is painting the oil " the sounds of nature ", rather than ink, so In " the sounds of nature " the series,  it is purely out of Li's oil language still permeated the aesthetic charm.
 
Finally, I would also like to take this opportunity to mention the creation of his Several female body works, also has a unique artistic features. In these works, great women body, along similar expressions, in the form of space, Li constantly study shows the possibility of reconciling differences between the East and the West and made on the basis of artistic achievement
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