神游在抽象和具象之间

我和德宏老弟认识已有好些年了，但真正的相识恐怕还是在他的画室里。

 

现实中的德宏我们谁也不十分清楚，就像早上起来照镜子会突然惊异的发现不认识自己一样。他常神游于现实与梦幻；虚假和真实；灵与肉；清晰与模糊；抽象和具象之间。正如我走进他的画室，立马被他骨子里浸透的细腻与缠绵深深打动，他的大男子的里层包裹着一小秀女，他的风景中所有的的现实痕迹，那些城郭与村舍；田野和山峦；都被他认真反复的皴擦涂抹，他像工人一样打磨这一张张的风景画。二十多年来的那些风雨剥蚀和阳光灿烂的日子；那些带着笑容和眼泪的日子；从强烈的装饰具象风格演绎成一首首隽永的朦胧诗。他不再拘泥于一砖一瓦、一草一木的描摹，而是更宏观的把握和抽象的表现。在潜意识中，他更喜欢模糊状态，喜欢朦胧。正如他害怕现实的影像（或他自己），会在画布上重现。于是他在绘画上重叠覆盖直至达到模糊的状态，才罢休。在精神上他和现实一直保持着距离感。德宏的油画有着浪漫派诗人李白的风采，象和着清澈醇烈的白酒涂抹挥洒。他的近作亦更具有抽象表现主义的代表人物，美国式的现代主义英雄德库林，用逸逸草草的抽象书法般的笔触和张力来把握和刻画山水的精神。我们依稀从这些烂漫的抽象书写中感悟到现实的城郭村舍、草木的梦影，他记录下自然内部的深深哀婉与叹息。宛如美国现代诗人叶芝在她的诗歌里对自然的吟咏与讴歌一般。我喜欢德宏色调中秋天的情绪。我以为抽象主义的艺术是对现实世界的批判和精神上的再次升华。它们呈现的不是自然的表象，而是自然的灵魂。它们不是技术的表现而是崇尚精神再创自然（第二自然）。这也是上帝赋予人类最珍贵的礼物。我们面对自然不再是只用眼睛和手来观察和表达它，而是用灵魂和心来感悟和呈现它。这是艺术创造的本质。2005年无疑是王德宏艺术创作的一个美好的转折和收获的季节……

 

当我如此随着思绪的流淌，想着和写着的时候，外面的雪已悄悄地把这世界包裹成白色，显得即美好又神秘。村头一只无名的野狗，为这白色的世界感到极度的困惑，凄厉地狂吠着。它引起些许寒冷和震颤。我想此时的德宏也许已入梦乡，也许在这世界的一个不知名的温暖的小屋里和朋友们围坐一起喝着小酒，继续上演着昨朝那场永不结束的有趣而惨烈的“现代剧”。

 

                                               杨 重 光

2005年2月20日

 

Tour between imagination and abstract

 

I with Dehong the understanding has already had a quite a few year, but if real acquaintanceship is perhaps still in his studio.

 

In the reality of virtuous and great we who also not quite clear, be like to get up to see in mirror in the morning would suddenly astonished detection the incognizant oneself is similar.He often is tour by imagination in the reality and fantasy;Deceitful with reality;Work properly with the meat;Clear and misty;Abstract and have of the elephant.Positive if I walk into his studio, signing a horse is soaked through inside by him of delicate with tie up to impress with, his big man of in the layer wrap up one small show female, all in his scenery of of realistic trace, those city walls and village give up;The countryside and mountain;BE all wiped a daubery by his hard iterative wrinkle, he is like a worker's similar dozen to whet this scenery painting.Those rains and winds of more than 20 in the last yearseses fall off is brilliant with sunlight of day;Those are beaming with smiles with the day of the tears;Have the elephant style to deduce one first interesting and hazy poem from the strong adornment.He no longer ties down by one brick one tile,one grass a wood copy , but the more macroscopic confidence and the performance of the abstraction.In the subconscious, he even likes misty appearance, liking a dim moonlight.Positive if he is frightened the image(or himself) of the reality, will re-appear on the canvas.Hence he the overlap overlays to keep on the painting to attain misty appearance, just give up.He keeps distance feeling with reality always on the spirit.The virtuous and great oil painting has the romance parties the elegant appearance of poet LI3 BAI2, elephant with wear a strong white spirit daubery of pure to write freely.His recent work also has more abstract performance representative's person of[with] doctrine, the modernism hero of the American type virtuous database wood, use a roughly abstract calligraphy sort of the of the style of drawing and tension to hold and depict the spirit of the landscape.We depend on sparse write from the abstraction of these lousy medium the feeling  arrive reality of the city wall village give up,the dream of the plant, he minutes down nature inner part of deeply the  with sigh.It is general to the intonation and the song of the nature in her verse just like American modern poet, leaf 芝 ,.I like the motion that the virtuous and great tone Mid-Autumn am for day.I think the art of[with] abstract doctrine am the judgment to the realistic world and again sublimate of the spirit.What they present isn't a natural idea, but natural soul.They not is technical performance but is emphasize spirit to create again nature.( the second nature)This is also God to give the most precious gift in mankind.We face nature to be not any more to observe and express it with eyes and hand, but use the soul and heart to the feeling with present it.This is the essence of the art creation.Was DE HONG's a fine turn of the art creations and the season …… of the results doubtless in 2005

 

When I flow to drip along with the thoughts and feelings thus, thinking and writing of time, outside of snow has already become the white to package in this world silently, seem to be namely fine and mysterious.The village head is an unknown wild dog, feeling an extreme perplexity for the world of this white, barking wildly sad and shrillly.It cause just some little cold with tremor.I think to be virtuous and great at this time to have already gone into dreamland perhaps, rounding to sit with friends to drink small wine together in this world of aly not well-knownly of the warmth of the cabin perhaps, continuing to present to public a yesterday a dynasty that interesting and horrifying"modern play" that ends never.

 

                                               CHONG GUANG YANG

                                          In 2005 February 20th