三月桃花梦

                                                      三 月 桃 花 梦

跟徽军的认识有十来年了。但比较近一些的往还也就是近一年来的事。看到他的绘画作品则是去秋一

个偶然的机会。

很久以来，他给我有一种与年龄不相符合的成熟与神秘感。特别是当他发出低沉的吼音并被他自己吐

出的烟雾包裹时。。。跟他闲聊时才知道，早年他随父亲的部队不断迁徙和文化革命后期的变故都过

早的改变了他的生活。他在二十年前为命运所安排使他对皖南有着特别的眷念和情感。正如他所说，

躺在草地上，皖南的风闻起来都是甜丝丝的味道。皖南的自然风光和土地更是如少女般的迷人，深深

地吸引着他。他在这二十年间，奔走于那些发散着霉湿味的古村山林间，耽溺于富有诗意的久远而文

明的探寻之中。这是一种慰籍和安排。徽军在与我的交往中，我的直觉告诉我，他是一个神秘的巫

师。暗暗地释放和透露着异能。我们无法去分析它。那些在地下的，远古的通灵之物的内部所散发的

气息和生命存留和活跃在他的心性中。因此，他能知晓我们无从感知的那些地下的杯盘碗盏的年份和

自然山水间那些悠远而缠绵的故事。。。

去秋看到徽军的那些关于“三月桃花梦”

的油画创作使我感到震惊。他用他生命里对皖南的特殊情缘和对自然风貌的敏锐感悟，用一种非常贴

近表现皖南三月的东方式的油画语境，把三月桃花开放时的极其优美和梦幻般的凄楚迷离的景象表现

的淋漓尽致。这里也饱含着徽军对那里的土地湿度温度的准确把握。这是一种直觉。这种直觉打破时

空，超越语言。是对我们已知的颠覆。他是一种东方式的超现实禅境。徽军的绘画语言和绘画技巧是

细腻的。他的三月桃花如同皖南女人，钎细多情。也如同徽军粗放男人的内里藏着女人的缠绵与琐

细。就象皖南。西班牙的画家达利曾经很满足于自己的超现实主义的艺术成就。写信给弗洛依德说：

自己用绘画诠释了他的“梦之说”。达利的画作，用令人叹服的技术制造了一个让世人瞠目的梦。不

过，这个梦充其量也是个理性的，技术的，属世的梦。我以为梦是超越经验的；非理性的；充满灵性

的。我们无从用知识和智慧去揣度它。因为它是超先验的，神秘而不可思议的。徽军自觉地屏弃了经

验和教条的束缚，用命定的特殊经历和对生命的感悟成就了这个美丽而荒诞的故事。通过“绘画”这

个特殊媒介挖掘出皖南三月桃花源中视而不见的隐秘。梦幻的精神意义和预言性远远地超过了现实意

义。他的这组作品让我们从人生和艺术两个角度去再次审视现实与梦的关系。在人生的季节里三月是

超现实的。是莫须有的。三月又是美妙而短暂的。生命何尝不是三月桃花梦。

                                                                                                         杨 重 光      

                                                                                                   中国科技大学艺术系主任

                                                                                                   德国布倫瑞克艺术学博士

                                                 Peach Dream in March

Acquaintanceship with Huijun are more than ten years. But come and go with him is just during the past year. See his paintings is a chance to fall.

For a long time ago, he gave me a kind of inconsistent with the age of maturity and sense of mystery. Especially when he was given a deep roaring and  wrapped by his own  smoke parcel. . . When chatting with him I just knew that his early years with his father's troops continued movement and cultural revolution in the late turn of events is too early to change his life. Twenty years ago, he arranged by the fate that he has a special feel nostalgic and emotional with the South -Anhui .As he said, lay on the grass, Anhui's wind, are smelled with sweet flavor. Anhui's natural beauty and land is as charming as young girls, deeply attracted to him. He has been two decades, running in the wet smell of mold in village and mountain, addicted to a long and poetic among civilized explore. This is a comfort and arrangements. Through contacts between Huijun and me, my intuition told me that he is a mysterious shaman. To release and reveal secret abilities. We were unable to analyze it. Those in the ground, ancient things psychic distributed within the atmosphere and life of retention and active in his Mind. Therefore, he knows we can not perceive from the ground floor and the natural landscape and the lingering between the story of those distant. . .
last fall to see those Huijun’s "March Peach Dream"
The oil painting let me shocked. He used his life and Special keen perception of natural scenes, in a performance very close to the way of the March in southern Anhui painting, to open  a extremely beautiful and dreamy tragically blurred picture in March when the peach is bloom .There are also full of Huijun’s accurately. master for the land’s temperature and humidity. This is an intuition. This instinct break the space-time, beyond the language. Subversion of our known. It is a kind of oriental surreal Zen. Hui Jun's painting language and drawing skills are fine. His March peach like woman in South-Anhui, fine and sentimental. Also as the emblem of the extensive man hidden inside a woman's touching and trivial. Like South-Anhui. Spanish painter Salvador Dali was very satisfied with their surreal artistic achievements. He wrote to Freud and said: they interpretated "Dream said." By Dali's paintings, with a compelling technology to create a dream for the world popping. However, this dream is at best a rational, technical, is a world of dreams. I thought the dream was beyond the experience; non-rational; full of spirituality. We do not use the knowledge and wisdom to try to speculate on it. Because it is ultra-priori, mysterious and magical. Huijun’s special experience and and understanding of life achieved this beautiful and absurd story. By "painting" , a special media explored ignore the hidden paradise in South- Anhui in March. Dream of spiritual significance and prophetic significance far beyond reality. This group works to his life and art, from our point of view to re-examine the relationship between reality and dream. March season of life is surreal. Is unwarranted. March is beautiful and short. Lifer way not is a dream of  March peach.

Yang Kuang
Director of University of Science and Technology of China ,Art Centre
Dr. Art Institute of Braunschweig