ECOLOGY AFTER SCIENCE——Cheng Yong

ECOLOGY AFTER SCIENCE——Cheng Yong

ECOLOGY AFTER SCIENCE——Cheng Yong

时间:2011-12-17 11:18:01 来源:

>ECOLOGY AFTER SCIENCE——Cheng Yong

        When giving classes to the handicapped. I often doubt the behavior of normal person, namely the problem that the handicapped must adapt themselves to the behavior of normal person, which may mean some compulsive compromise. I began to think what is the meaning of development of science and peace and what is the meaning of the human project for global integration. Authoritative organization defines culture as follows: culture is all things above nature added to and produced by the mankind. People of the moment always change or prevent all things of human with the title of science, influencing thinking angle of people themselves, and bringing abundant material wealth to the human, but  at the same time it also brings large survival risk and hidden trouble to the human. So at the age of science-paramountcy, this cultural ecology phenomenon is called "ecology after science".

        Peace and integration are hope and also ideality. It seemed that the people played a little joke on the human, that is, they attempt to turn all nations in the world into those as America. If it was as that so, the talk of influence would laugh in their sleeves while weeping at the same time. What they laugh at is the success of hegemony, and what they weep for is the loss of cultural language. Development of art shouldn't refer to any mode or original shape of power. Mode is force and bondage to artist, and once it is restricted and prevented by mode, art is ended. As far as human nature is concerned, human exists to pursue unknown things, new things and are willing to accept new things, therefore, we cannot stop producing various new art. Here, the meaning of Adam and Eve eating forbidden fruit is very obvious. The art of Boise, which changed consciousness of the people, is enough to prove it. In fact, there does not exist universally fit principle for human culture, so seeking difference and accepting different cultures and races is the common cultural characteristic of the human, while the opposite result will come out if they failed to find way of accepting different cultures and races. Modern art is difficult to perpetuate or contend with space-time, but it can cooperate with space-time and rebuild continuously to form a unique space penetrating each other.

        Once when I made samples, I was strongly stimulated to think by the special lifeless modality. Man-made impediment brings survival risk to people, and it is no longer nature but science contending with the human, so came into being the particularly obvious conresponding relationship. Man-made impediment is sublimed for the human's derivation, and is gathered to increase for people's existence, even if the human is very flimsy and having decreasing desire. Next, human's refulgence sometimes flares for the existence of man-made impediment.

        Although man-made impediment is unwillingly acceptable by the people, it always goes along with the people until they reach the moment of success. The active significance and influence of both of them are coequal, which is the cut-in point of the work for us to analyze structure and to exceed man-made impediment in order that works are real and beautiful for impediment.

        The current works are directly and indirectly embodying existing meanings of man-made impediment, and are breeding the recessive and beautiful vision in the art field of ecology after science.

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